In the third story, Parvati is banished by Shiva when she is momentarily distracted while listening to his explanation of the Vedas. Shiva restores Sati to life and Sati is reborn as Parvati and accepts their oneness. He then performs his Tandava, which is noticed by the Devas, who pacify him. Sati says that they are one without her, there is no Shiva. She curses her father and returns to Shiva, who is angry with her. Sati disobeys him and goes, only to be insulted by Daksha. Sati asks Shiva's permission to go to the ceremony, but Shiva refuses to let her go because he feels that no good will come from it. Daksha performs a Mahayajna without inviting his son-in-law. The second story focuses on Shiva marrying Sati against the will of her father, Daksha. Realising it was Shiva's will that Dharumi should get the reward, Nakkeerar requests Shenbagapandian to give it to Dharumi.
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Later, Shiva revives Nakkeerar and says that he only wanted to test his knowledge. On hearing this, Shiva argues with Nakkeerar about the poem's accuracy and burns him to ashes when he refuses to relent. Overjoyed, Dharumi takes the poem to Shenbagapandian's court and recites it however, the court's head poet Nakkeerar claims that the poem's meaning is incorrect. Shiva, hearing him weeping, takes the form of a poet and gives Dharumi a poem containing the answer. Dharumi, a poor poet, desperately wants the reward, and starts to break down in the Meenakshi Amman Temple. Shenbagapandian, the king, wants to find the answer to a question posed by his wife (whether the fragrance of a woman's hair is natural or artificial), and announces a reward of 1,000 gold coins to anyone who can come up with the answer. The first story is about the opening of Shiva's third eye when he visits Madurai, the capital city of the Pandya Kingdom. His mother, the goddess Parvati, arrives there and tells the stories of four of Shiva's divine games to calm Muruga. Despite her attempts to convince Muruga to return to Mount Kailash, he remains adamant about his decision to leave his family. He meets Avvaiyar, one of his devotees along with way. Angry with his father, Muruga (dressed as a hermit) goes to Palani. The Hindu god Shiva gives a sacred mango fruit, brought by the sage Narada, to his elder son Vinayaka as a prize for outsmarting his younger brother Muruga in a competition. A digitally-restored version was released in September 2012, and was also a commercial success. Thiruvilaiyadal received the Certificate of Merit for the Second-Best Feature Film in Tamil at the 13th National Film Awards and the Filmfare Award for Best Film – Tamil. It was also responsible for a resurgence in devotional and mythological cinema, since it was released when Tamil cinema was primarily producing social films.
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The film was a commercial success, running for over twenty-five weeks in several theatres and becoming a silver jubilee film.
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Thiruvilaiyadal was released on 31 July 1965 to critical praise for its screenplay, dialogue, direction, music and the performances of Ganesan, Nagesh and Balaiah. The fourth story is about the singers Banabhathirar and Hemanatha Bhagavathar. The third recounts how Shiva's future wife, Parvati, is born as a fisherwoman Shiva, in the guise of a fisherman, finds and marries her. The first is about the poets Dharumi and Nakkeerar the second concerns Dhatchayini. Thiruvilaiyadal depicts four of the stories. Thiruvilaiyadal was inspired by the Thiruvilaiyadal Puranam: a collection of sixty-four Shaivite devotional, epic stories, written in the 16th century by Paranjothi Munivar, which record the actions (and antics) of Shiva on Earth in a number of disguises to test his devotees. Mahadevan composed the film's soundtrack and score, and Kannadasan and Sankaradas Swamigal wrote the song lyrics. Sarangapani, Devika, Manorama, and Nagarajan in supporting roles. The film features Sivaji Ganesan, Savitri, and K. The Divine Game) is a 1965 Indian Tamil-language Hindu devotional film written, directed and co-produced by A.